Filipka and Ola / Centaurs, 2023, edition of 2
Medium: Print on Fomei Baryta Mono 290g
Dimensions: 21" x 31.5" [30 cm x 44 cm]
Edition of 2 + 1 AP
Each print is signed by the artist.
This work is part of the Casa Filipka by Her Clique group exhibition titled When Desire Becomes Home (February 12-16, 2023, Mexico City). 10% of the sale proceeds benefit Atzin, a non-profit organization that focuses on addressing priority needs like education, nutrition, water and health in remote areas of Mexico.
Casa Filipka by Her Clique (February 13-16, Mexico City) is our inaugural group exhibition featuring over seventy works by 16 Eastern European women and non-binary artists. Curated by Filipka Rutkowska, the show is organized as an ephemeral art collection that tells a story of the journey to self [re]discovery. Showcasing a region that’s constantly in transition, where democracies are built on remnants of a communist past, the artists use their work to search for their individual, native understanding of identity, sexuality and belonging. The idea for Casa Filipka was inspired by the iconic ‘Casa Susanna’, a venue that functioned during the 1950s and 60s in Upstate New York, as a safe space for gatherings of trans-individuals and crossdresses. Artistic connections between Eastern Europe and Latin America have been based on their often peripheral social and political position to the world’s superpowers, hence the decision to set the inaugural show in Mexico City. With Casa Filipka we seek to encourage and explore the critical tools one can use for thinking about one’s body and identity.
Visit the show in person February 13-16 (address and opening times will be announced via our newsletter) or see the works in our online viewing room which we will launch on February 10.
Part of the sale proceeds will benefit Atzin, a non-profit organization that focuses on addressing priority needs like education, nutrition, water and health in remote areas of Mexico.
Milena Liebe’s premise for “Centaurs” portrait series was to invite two friends to create one shared body. Here, the figure of a mythical centaur serves as an invitation to embody interpersonal relationship and closeness – in real and imaginary sense alike. Interfering with bodies, in a sense, opens them up – helping many new suppressed identities to come out on top or simply encouraging a process of inscrutable transformation.